In this article, I republish a review of mine that was first published in Teach Secondary magazine. Next, there follows the article I actually sent in. The differences are only minor, but I thought you might find it interesting to examine the differences, and consider what difference they make, if any, to your experience and understanding of the review.
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Taking the reader from the Middle Ages to more or less the present day, Gray shows how the kind of places we do our shopping in, and what we buy, have changed over the centuries.
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On the 21st June I’ll be teaching a course called Creative Writing with Constraints. (Note the word “constraints”, not “restraints”.) This article outlines how I prepared for it.
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In this article, I republish a review of mine that was first published in Teach Secondary magazine. Next, there follows the article I actually sent in. The differences are only minor, but I thought you might find it interesting to examine the differences, and consider what difference they make, if any, to your experience and understanding of the review.
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Just because I love technology and spend a lot of time on the web, and writing for the web, doesn’t mean I’ve eschewed books.
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The standard advice for writers who are feeling uninspired or blocked is to allow your mind to wander where it will or to just start writing aimlessly to see what happens. Therefore to suggest the opposite approach, that of imposing some constraints on your thinking, seems completely counterintuitive.
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From the archives: How will Virtual Reality reportage affect our experience of the news? What are the ethical issues involved?
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Unless you’re so poor at spelling or English in general that a spell-checker wouldn’t do you much good anyway, there isn’t really any excuse for this sort of thing.
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Listen, thou fobbing clapper-clawed clotpole! The internet is useful for more things than mere facts.
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Yesterday I was going to write an article, using chunks of a couple of articles I’d published before (plus some original material).
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What is writing with constraints? In a nutshell, it means writing according to specific and tight rules. The “official” name for this is Oulipo, which is a French acronym for Ouvroir de littérature potentielle.
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“One of the unexpected benefits of the Covid-19 pandemic has been clear blue skies.”
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Some people say "of course creative writing can be taught", while others say the opposite. I take a slightly more nuanced view.
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I am afraid I cannot agree with those who say “No” to any use of AI whatsoever. I think the issue is more nuanced than that.
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Here’s my evaluation of WordCounter which, erm, counts words — plus a whole bunch of other stuff.
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I wrote this review wearing my school teacher hat. However, it struck me that optimism is something all writers need a great deal of!
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I wrote the review wearing my school teacher hat. However, it struck me that the “small habits” approach to writing is something useful to consider.
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My review of this for Teach Secondary magazine has just come out. Here is the published version, followed by the copy I submitted, which is slightly longer because it has a little more detail. I wrote the review wearing my school teacher hat. However, it struck me that the “productive failure” approach to teaching is something I’ve done, to some extent, in my creative writing classes.
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I’ve reviewed this book for Teach Secondary magazine. Although my review is written from the standpoint of the question, “how useful is AI in schools?”, I do thiink it has relevance here because many writers, and writers’ organisations, are also scrutinising AI.
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To the extent that people distrust journalists, is it really surprising?
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