Holmes and I were in our lodgings in Baker Street. He was drawing out a melancholy tune on his violin, whilst I was reading the latest edition of The Lancet. The silence was unexpectedly broken by the ringing of the bell.
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At a time when even Noddy books have been declared āproblematicā due to their use of archaic terms such as āswotā (since changed to ābookwormā), some of us might may feel the temptation to unleash our inner āDisgusted of Tunbridge Wellsā in response.
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In Handwritten we get to see handwritten manuscripts by monarchs, poets, novelists, scientists and many others.
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I clambered out of the four poster, but at altogether the wrong angle, so blowed if I didn't go careering straight into the wall. I tell you. I tried to ignore it and dragoon the well-known Freedman stiff upper lip into service, but the old noggin was having none of it.
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āYouāve been speaking to that blasted Freedman, havenāt you?!ā
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This course will look at examples of constraints created by some of the Oulipoās main proponents, with work including the Hundred Thousand Billion Sonnets, the Metro Poem, and others. Course participants will have the opportunity to try out several techniques, and invent one or two of their own.
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This is an updated version of an article I published on this website in 2015. In my experience, it absolutely applies to artists, teachers and other creatives as well as writers or consultants.
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Iām familiar with a few of the stories in this volume, which features some well-known names such as Raymond Carver, George Saunders, Grace Paley, Ursula Le Guin and Susan Sontag.
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In 2005 I was approached by a publisher who wanted to publish an updated edition of a book that had been very successful, but needed updating. I ended up turning them down
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I love the subtitle: A history of thinking on paper (my emphasis). I do think thereās much to be said for writing on paper, and there is no paucity of research showing the benefits of analogue over the digital approach.
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At the tender age of 17 I was in college, and a student representative on a body called the Joint Consultative Committee. This was a means by which the Principal could learn about the concerns of students in order to, hopefully, address them.
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In Escapism: a 50 word prose poem I presented readers with a prose poem constructed in accordance with a constraint, and invited them to suggest what that constraint might be. Hereās the poem again, followed by the solution.
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Here are a few of the books Iāve been sent for review recently, covering AI, maps, time travel and language.
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Iāve provided this (a) as an example of how a manual should be set out and (b) in case you just happen to have a working Atari with this software on it!
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A few months ago I wrote about Barnabees Books, in Westleton, Suffolk. Itās a lovely warm place, not only heat-wise but atmospherically, not least because of its delightful owner, Ty.
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The most difficult thing for a saxophone learner to do is open the case and pick up the instrument every day.
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years.
The term āautomatic writingā is usually associated with a particular psychic phenomenon. However, software now exists that can take data, such as sports results, and generate reports from it.
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So the great prolificist had run out of ideas, eh? Well actually no: I had the opposite problem. Iād had so many ideas and corresponding false starts that I was floundering in a sea of ideas.
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On Friday I picked up my sax for the first time in a month. I attempted to play Will You Still Love Me Tomorrow. It started off ok-ish, but then the timing went and so did the right notes. Well, you canāt have everything I suppose.
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Since I read Northanger Abbey when I was in my twenties, I have to say that in the interim it has much improved. Clearly, Jane must have taken a creative writing course or two because it is now much funnier, more cutting and more modern, what with her stepping outside the story to comment on her characters and the novel form itself.
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