At first glance, this book's table of contents seems puzzling. Despite running to nearly 500 pages, Frank seems to be using fewer than 50 different novels to represent a hundred years of literary evolution — but appearances can be deceptive.
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I don’t usually write short stories, but today I managed to think about, write (in my head, again) and then actually write a work of fiction which will fit nicely into a free newsletter I publish.
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Homophones are words that sound the same but don’t mean the same, such as fare (food) and fare (cost of travel), or their and there. In Oulipo, you take a phrase and think of one which sounds like it. I believe that it is permissible to stretch the definition of “sounds like”, so I have taken advantage of that fact.
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Why has doing a course on American fiction been so enjoyable, and useful to me as a non-fiction writer?
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OK, so this is a review of a fiction book -- but I think we can learn a lot about great use of language, convincing research and pace from reading it.
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