Yesterday I published a blog post entitled Books of 2020, a list of the books Iāve (mostly) read in 2020. Well, itās a bit of a long read at around 4,000 words, so Iāve created an audio version of it as well.
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These are the books Iāve encountered in 2020. Iāve read most of them, and reviewed many of them.
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These are some of the books Iāve started this year, and which Iām determined to finish this year. Well, maybe Iāll settle for reading a bit more of them at least.
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Arranged in reverse chronological order, this book will help you find great examples of innovative approaches to writing poems, dating back to the 1840s. But what exactly is a prose poem?
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On 22 December 2015 I published a review of Help! For Writers, by Roy Peter Clark. I liked the book back then. Do I still like it now?
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This is a very clever book. Too clever, in fact, for any one person to fully appreciate I think.
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(Amended) The pages in my copy are marked (in pencil of course) all the way through, to highlight wonderfully-crafted sentences.
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It was with some foreboding that I opened this book.
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Iāve never been to Berlin, but I feel like Iāve come to know it through this book.
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If this were true, Iāve wasted a lot of money on literature courses, and there are a lot of Eng Lit teachers and authors making money under false pretences.
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The poets featured each enjoy a potted biography that places them and their work in the context of the time. Extracts rather than whole poems are presented, and this is both an advantage and a disadvantage.
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If you like stories about teenaged angst, and especially female teenaged angst, you will like this book. Well I donāt and I didnāt.
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Rather than write the traditional sort of review, I thought I would do it in the form of one of those quizzes one sees in popular magazines. Answer each question honestly, and keep a note of your answers on a sheet of paper so you can add up the score at the end.
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There is something to be said for short pieces that stand alone as impressions but yet together form a tapestry of a whole picture. Once certainly gets a sense of the aspects of Paris which, as in any tourist-attracting city, are not to be discovered in the guidebooks.
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Giovanniās Room, which is the only work of James Baldwinās that Iāve read so far apart from a few articles, also starts at the end. The result is a story that is intriguing and gripping within the first few minutes.
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There is some very beautiful writing in this book, and plenty of humour.
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Dovlatov was a journalist in the then Soviet Union, and this book comprises a series of compromises he was obliged to make, in order to keep his job. Whatās interesting to me is that the censorship he describes goes on a very subtle level.
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Iāve been enjoying delving into the meaning of some of the expressions we come across all the time ā and a few we donāt.
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Under normal circumstances I wouldnāt pick up the (fictitious) memoir of a 17 year-old girlā¦.
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This book aims to change that by providing insights into the writing process from several very different genres.
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