It's the 23rd January, and I'm freezing. I don't usually feel the cold, but I've spent all day in a conference about educational innovation. I think a useful innovation would have been to turn the heating on. It was a good conference, but the temperature in the hall (Senate House, University of London), was lower than it was outside.
So, a brisk walk brings me to St Pancras station, and the branch of Hatchards there. (As an aside, if you ever want a signed book, Hatchards is the place to go. Foyles has a few, and other bookshops have them occasionally, but Hatchards has the most, and all the time.)
I'm now going to switch to the past tense.
I started looking in the non-fiction section, and an assistant came along, sat on a stool, and asked me if I was looking for anything in particular. I wondered if she thought I looked like a shoplifter! Anyway, I told her I was interested in Why we sleep, by Matthew Walker. She took me straight to it, and told me why she liked it. I asked her if it was fairly scientific, rather than anecdotal, and she assured me it was.
So, I bought it, and the young lady at the till was charm personified.
It was a nice experience. It left me feeling a lot warmer inside than when I entered, and not merely because of the temperature.
I like Amazon, but I don't think any algorithm can replace well-informed and pleasant bookshop staff.
At times beautiful, at times cynical, at times hard-hitting, Things Seen is an endearing and accurate portrayal of a modern city.
I submitted my review of this book to Teach Secondary magazine, an educational magazine in the UK. The first review below is what the magazine published. The second one is what I actually wrote! In substantive terms there is little difference between the two, but you may find it interesting to see what the editor altered.
Review: Tradecraft: Writers on John le Carré -- two reviews in one!
I bought this book two or three years ago, and it has given me a huge amount of pleasure.
I submitted my review of this book to Teach Secondary magazine, an educational magazine in the UK. The first review below is what the magazine published. The second one is what I actually wrote!
Anyone interested in the craft of writing should read this book. It’s not a primer, or dictionary, or anything of that nature. But it does exactly what it says on the tin.
You could be forgiven for thinking that all that has been said, or needed to be said, about Anne Frank had already been said, given the number of books, articles and even a play that have been written about her. And yet in some ways she has never been more relevant.
How did the English comedian Spike Milligan break through writer’s block?